What Talk To Me (2022) Reveals About Us

Talk to Me tells a familiar story: a group of kids gather around, decide to contact ghosts and then things go wrong. It sounds like a horror cliché, but Talk to Me feels fresh. Directors Danny and Michael Philippoe – known for their YouTube channel – transformed the contacting-ghosts-story into something new. Into something about… Read More What Talk To Me (2022) Reveals About Us

Why the End of Varda’s le Bonheur (1965) Feels so Horrible, and about the Sunflower’s Role

When, in the last scene of Le Bonheur, I saw the couple wear identical sweaters, I couldn’t get over it. I stared at the screen and thought No! Those two yellow sweaters! That’s horror! Horror! To be clear, Le Bonheur is not a horror movie, but elements of the horrific found their way inside. And… Read More Why the End of Varda’s le Bonheur (1965) Feels so Horrible, and about the Sunflower’s Role

Why Psycho’s (1960) Psychiatrist Scene is More Important Than You Think

Hitchcock said about Psycho (1960) that the psychiatrist saved the movie. And it did. But not only because of the production code; Hitchcock employed the psychiatrist in a much more interesting way than one usually thinks. The psychiatrist scene makes it possible to experience Psycho as a horror movie. Horror and Protagonists First, we need… Read More Why Psycho’s (1960) Psychiatrist Scene is More Important Than You Think

Barbarian (2022) and Bones and All (2022), What’s up with Today’s Final Girl?

Carol Clover coined the term ‘final girl’ in her 1992 book Men, Women, and Chainsaws: Gender in the Modern Horror Film. The final girl in horror is the last one standing and she has to face the murderer (who by that point has already killed a lot, and usually her entire group of friends). Somehow… Read More Barbarian (2022) and Bones and All (2022), What’s up with Today’s Final Girl?

Detour (1945), Why Al Roberts is not an Unreliable Narrator

Roger Ebert’s review introduces Detour perfectly: Edgar Ulmer’s Detour is a cult classic. It’s a B movie. It’s a film noir. It’s the film noir with (one of) the highest profit margins of them all. From the start, Detour has been surrounded by unreliable stories. Ulmer said he filmed it within a week on a… Read More Detour (1945), Why Al Roberts is not an Unreliable Narrator